May 072013
 

DERBY, Conn. (RNS) The Rev. Janusz Kukulka can’t say for sure that his parishioners are sinning more, but they sure are lining up at the new confessional booth to tell him about it.

The new confessional at St. Mary the Immaculate Conception Church in Derby, Conn. RNS photo by Ann Marie Somma/Hartford Faith & Values

For years, Kukulka, was content with absolving sins in a private room marked by an exit sign to the right of the altar St. Mary the Immaculate Conception Catholic Church.

But something happened during Lent this year. For the first time, Kukulka really noticed the two confessionals missing from the rear of his church. They’d been gone for four decades, ripped out during the 1970s to make room for air conditioning units during a renovation inspired by the Second Vatican Council.

They must have been a thing of beauty, Kukulka thought. He imagined their dark oak paneled doors and arched moldings to match the Gothic architecture of the church designed by renowned 19th-century architect Patrick Keely.

Their absence was striking, especially when the Archdiocese of Hartford had asked parishes to extend their confession hours during Lent, part of a public relations campaign to get Catholics to return to the sacrament of reconciliation.

So, one Sunday Kukulka announced his desire to the congregation. “I told them I wanted a visible confessional,” he said.

He got one within a week.

Patrick Knott, who had never confessed in the private room, said a long line formed in February when Kukulka held the first confession in the booth. He was the first to try it out.

“I got celebrity status,” he said. “It wasn’t bad.”

Kukulka said confessions have been up ever since at the church.

Nicely positive story so of course they needed a killjoy.

But Thomas Groome, professor of theology and religious education at Boston College, doubts that an old-school confessional will be enough to keep the momentum going.

At the parish I came into the Church in they have two sets of the old style confessional and they have confession before every single Mass. There is always some kind of line.

I really think it is quite important to have confession “front and center” even if really it is back and center location wise. I love seeing people in line and I wonder how many people this encourages to also subsequently go to confession?

Frankly the “reconciliation rooms” kind of freak me out at some level. Whenever I see one of them I can hardly imagine wanting to go to confession there. The ones I have seen are so blasé that they could easily be converted to a janitors closet, if that is what they weren’t before. While certainly the location does not affect the sacrament, it does affect how we perceive the sacrament. Add the fact that these rooms are often apart from the main church (in my experience).

I do wonder what would happen if confession was available before every Mass everywhere?

Article via Da Mihi Animas

Apr 282013
 

Something occurred at Mass today that I found to be indicative of the mistaken view that occurs in music during Mass.

First off I already think of the music ministry of this particular parish to be rather painful. Any Mass with a full drum kit that gets used during the Gloria and Agnus Dei and pretty much every hymn does not score high on my scale. Little Drummer Boy – fine. Full grown man banging away during hymns – not so much. I kept expecting a drum solo.

Still this is not what surprised me at Mass. Towards the end they had the children come up to the altar to donate money that had raised for the homebound. While this was happening the pianist started playing “Linus and Lucy” – yes the Peanuts theme song. If my jaw had been physically capable of dropping to the floor, it would have. At first I thought “That hymn they are playing sound vaguely familiar” until I realized what is was with certainty. Thankfully Snoopy did not come out to dance on the ambo.

This flows from the idea of providing a soundtrack for the Mass. That silence must never occur and that constantly something must be playing. At least that is the only explanation that comes to mind for me that cold lead to playing the Peanuts theme. The four-hymn sandwich was not enough so a bunch of musical Hors d’oeuvre must be added. Next we will get background music for the “Liturgy of the Bulletin” which occurs at the end of many Masses.

Thankfully the Church restricts any musical instruments during the Eucharistic Prayer. While this is occasionally abused in some places, luckily it is one area where we still have silence in the Mass. Otherwise I could easily imagine Drum Kit Guy percussion crescendo leading up to the consecration. Although I do love to have the bells rung at the consecration (which strangely is the one thing fill-up-the-Mass-with-music don’t do).

Also for some strange reason I thought we were still in the liturgical season of Easter. Evidentially this is not so since thematic Easter songs seemed to have ended on Easter. We went back to the rather ordinary dreck right after Easter.

Apr 122013
 

Atlanta, GA, April 9, 2013 – As a follow-up to their chart-topping first release with the Decca Label Group, The Benedictines of Mary unite their voices once more in ANGELS AND SAINTS AT EPHESUS. This second album, a year round collection, will entertain and inspire, featuring 17 English and Latin pieces sung a cappella for the feasts of the holy Saints and angels. Recorded once again at their Priory in the heartland of America, this new album is a dynamic yet pure fusion of their contemplative sound. The Sisters call to mind the glory of the future vision of God in the company of all of His angels and Saints.

I got a lot of airplay out of their first album and I will again when Advent rolls around again.

  1. Dear Angel Ever At My Side
  2. Ave Regina Cælorum
  3. Let All Mortal Flesh Keep Silence
  4. Christe Sanctorum
  5. Duo Seraphim
  6. Virgin Wholly Marvellous
  7. Est Secretum
  8. Lorica of St. Patrick
  9. O Deus Ego Amo Te
  10. Emicat Meridies
  11. O God of Loveliness
  12. Læta Quies
  13. A Rose Unpetalled
  14. Jesu Dulcis Memoria
  15. 15.Te Joseph Celebrent
  16. Jesu Corona Virginum
  17. Veritas Mea
Apr 012013
 

One of the nice things about praying the Liturgy of the Hours it that it helps you to remember that some solemnities don’t just end when the day is over. Christmas and Easter both have octaves and you are reminded of that as the prayers repeat during that time. Easter as the greatest feast in the Christian life is special in that each day of the Easter Octave is a solemnity.

So what we really have is a form of liturgical Groundhog’s Day. Each day in the Octave we once again celebrate the Solemnity of Easter. Yet we won’t be tempted to smash our alarm clocks despite the psalms being played are the same each day. Unlike Bill Murray’s character we know when the repeating day in the octave is going to end.

Lent also provided us an opportunity as in the movie Groundhog’s Day as to refocus our priorities avoiding those nihilistic paths that might seem to lead to pleasure, but not the ultimate joy of Easter.

So truly celebrate this Octave of Easter and the fact that Friday during the octave is not a day of penance.

Mar 142013
 

Last night reading through my normal long list of blogs and aggregated news sites there were several times I was tempted to remove some blogs from my RSS aggregator. Doomsday liturgical prophets were all set to make references to the liturgical calendar as if it was the Aztec one.

For me Pope emeritus Benedict XVI reflected a liturgical vision that I totally agreed with and really I was informed by his vision as reflected in his books such as The Spirit of the Liturgy. To go from someone that I was in total agreement with to a new Pope that might not have exactly that same vision can be a bit of a let down.

Still it is rather amazing that so many people who knew next to nothing about Cardinal Jorge Bergoglio yesterday are all experts on him today. Amazing how smart Google can make you in a day. This is kind of like the commercial about sleeping in a a Holiday Inn Express.

I will try not to make the same mistake since my own knowledge was prior to yesterday just a papabile biography on him. Yet really is even the information at hand via a search engine indicative of a man who is going to put the liturgical world upside down and turning over the slow changes that Pope Benedict XVI made? That an apparently humble man is going to force on the church a totally different liturgical vision? Likely I will probably have prudential disagreements with Pope Francis regarding the liturgy in years to come. Hopefully though I won’t go into freak out mode that Pope Francis is not exactly the same as Pope Benedict XVI in these matters.

I was happy to see last night when Father Z finally had internet access his take on the new Pope. This was an excellent example of how liturgical traditionalists should respond. He also nicely covered Pope Francis’ first Mass.

Taylor Marshall’s post on the subject is quite worthwhile Traditionalists and Pope Francis: Can We Take a Deep Breath and Please Calm Down?

I also really liked LarryD’s reflections regarding this. His blog like my own often does parodies regarding bad liturgy and the thought process behind them. His blog has the awesome animated GIF of a giant liturgical puppet getting it’s head blown off so he is not exactly neutral regarding the liturgy.

The Crescat, who also does not suffer liturgical foolishnes lightly, also has a good post on the subject.

Mar 022013
 

PITTSBURGH (AP) — Officials at a Roman Catholic church in Pittsburgh have a holy mystery on their hands. They say someone, somehow stole the building’s organ — and the 200 massive pipes required to play it.
WPXI-TV reported Friday that the music equipment worth $200,000 has disappeared from St. Justin’s Church.

Church business manager Skip Hary (HAW’-ree) says he’s baffled how anyone could get the organ out of the building.

He says it would either have to be maneuvered down narrow flights of steps, or lowered over a balcony. And the pipes can only be accessed by a ladder into the ceiling.

St. Justin’s, in the city’s Mount Washington neighborhood, closed last month after merging with another church.
Police say there were no signs of forced entry. (source)

Well this time the dissappearance of the organ is an actually mystery. In most parishes the organ wilfully disappeared. Really in most parishes if someone stole the organ nobody would notice since it was never used.

Feb 172013
 

During the last period of Lent I used St. Thomas Aquinas’ “Meditations for Lent”. It was really quite excellent with nice reflections for each day of Lent. I had used a copy that was freely available on Archive.org. Unfortunately like many OCR books scans it was filled with format errors along with missing text formatting. So I had meant to clean it up and make it available before the next Lent. I remembered this on the day before Ash Wednesday and so have been working on cleaning it up for the last week. Using the PDF version as a reference I was able to add formatting such as italics back in which makes it much more readable.

So now I am making that available for everybody and I think it turned out quite well. Although I would not doubt that there might still be an errors in formatting in it. As I read through it again I will be correcting any of these errors I find.

The meditations themselves actually start from Septuagesima Sunday (Note 1) and go on to Holy Saturday.

Note 1: Septuagesima Sunday is the third Sunday before the start of Lent, which makes it the ninth Sunday before Easter. Traditionally, Septuagesima Sunday marked the beginning of preparations for Lent. Septuagesima and the following two Sundays (Sexagesima, Quinquagesima) were celebrated by name in the traditional Roman Catholic liturgical calendar, which is still used for the traditional Latin Mass. The three Sundays were removed from the revised liturgical calendar released in 1969; today, they are just denominated as Sundays in Ordinary Time. (source)

MeditationsForLent

Jan 222013
 

From a bulletin in the Diocese of Raleigh.

Recently Bishop Burbidge instituted “Norms for Extraordinary Ministers of Holy Communion”. The norms state: “Although it has been a common pastoral practice in the Diocese of Raleigh for Ministers of Communion to impart a blessing to those who come forward with hands crossed in the communion procession and who are not receiving Holy Communion, Extraordinary Ministers of Holy Communion are commissioned only to distribute the Body and Blood of Christ to the faithful.” Please note all present are blessed at the end of the mass when the priest imparts the final blessing.

In my opinion that is pretty awesome. This is certainly something that greatly annoys me as it flattens the difference between the ministerial priesthood and the priesthood of the faithful. We have enough confusion in this regard, so we don’t need a new practice that further blurs the difference.

The secondary problem as the Bishop notes is that everybody receives a blessing at the end of the Mass. So this going up for a blessing diminishes the importance of this.

I can totally understand how this practice evolved as a pastoral response to make people feel included when they can not receive the Eucharist. It is certainly nothing specified by any liturgical documents and also has not been something that the Vatican has addressed. In the future it is possible that the Vatican might specifically allow this at least in regards to receiving a blessing from somebody with Holy Orders. I would greatly doubt this being extended to Extraordinary Ministers of Holy Communion.

I would certainly like the Vatican to issue guidance regarding this, but I know how slow the Vatican responds to these issues. Another area where this comes up is I have seen joint blessings where at the end of Mass the priest with the people bless an object like blankets for the poor. Besides the retina-burning image of people doing an apparent Nazi salute with this joint blessing, I don’t believe the Church’s theology supports this. As far as I know there are no examples of joint blessings like this in the Book of Blessings (De Benedictionibus). Although the reason I want the Vatican to weigh in on this is that my opinion on this is not what matters.

I have specific experience with the feeling of being left out during Communion. When I decided to come into the Church I was told I would have to wait for the following RCIA which meant it would be over a year and a half before I could enter the Church at Easter. Going to daily Mass with my wife tmeant that I remained in the pew while she went up to receive. It is somewhat uncomfortable as you imagine people wondering what prevents you from receiving. In fact after I had been going to Mass for awhile I was introduced to my pastor as someone going through RCIA. He told me he thought I must have been divorced or something since I never came up. Although remaining behind was uncomfortable it was also fruitful in perseverance. My desire to receive the Eucharist only grew and never left me.

You can also find Bishop Burbidge on Twitter.

Jan 172013
 

From a Zenit article about the Congregation for Divine Worship and the Sacraments is preparing a booklet to help priests celebrate the Mass properly and the faithful to participate better.

The prefect of the Congregation for Divine Worship and the Sacraments criticized existing abuses such as showmanship, and praised moments of silence “that are action,” which enable the priest and the faithful to talk with Jesus Christ and which exclude the predominance of words that often becomes showmanship on the part of the priest. The correct attitude is the one “indicated by Saint John the Baptist, when he says he must decrease and the Messiah must increase.”

The cardinal criticized the effort to make the Mass “entertaining” with certain songs – instead of focusing on the mystery – in an attempt to overcome “boredom” by transforming the Mass into a show.

Wow silence, what a concept. I would love to have more prayerful silence during the Mass. Often it seems we go overboard with trying to create a soundtrack for the Mass where every moment has to be filled with sound. I am probably more guilty than the majority in filling my day with sound from music, podcasts, audiobooks, and other media. Yet I can still feel that the Mass becomes cluttered with sound in that there is no room to just breath and pray. While actual sacred music can be a great help in prayer, the same is true regarding silence. We don’t have to have a hymn at every point of the Mass or transitional music to fill in all gaps. There is certainly a both/and for music and silence.

From the Pope’s 7 March 2012 General Audience which has a lot to say about silence.

In the preceding series of Catecheses I have spoken of Jesus’ prayer and I would not like to conclude this reflection without briefly considering the topic of Jesus’ silence, so important in his relationship with God.

In the Post-Synodal Apostolic Exhortation Verbum Domini, I spoke of the role that silence plays in Jesus’ life, especially on Golgotha: “here we find ourselves before ‘the word of the cross’ (cf. 1 Cor 1:18). The word is muted; it becomes mortal silence, for it has ‘spoken’ exhaustively, holding back nothing of what it had to tell us” (n. 12). Before this silence of the Cross, St Maximus the Confessor puts this phrase on the lips of the Mother of God: “Wordless is the Word of the Father, who made every creature which speaks, lifeless are the eyes of the one at whose word and whose nod all living things move!” (Life of Mary, n. 89: Testi mariani del primo millennio, 2, Rome, 1989, p. 253).

The Cross of Christ does not only demonstrate Jesus’ silence as his last word to the Father but reveals that God also speaks through silence: “the silence of God, the experience of the distance of the almighty Father, is a decisive stage in the earthly journey of the Son of God, the Incarnate Word. Hanging from the wood of the cross, he lamented the suffering caused by that silence: ‘My God, my God, why have you forsaken me?’ (Mk 15:34; Mt 27:46). Advancing in obedience to his very last breath, in the obscurity of death, Jesus called upon the Father. He commended himself to him at the moment of passage, through death, to eternal life: ‘Father, into your hands I commend my spirit’ (Lk 23:46)” (Post-Synodal Apostolic Exhortation Verbum Domini, n. 21).

Jesus’ experience on the cross profoundly reveals the situation of the person praying and the culmination of his prayer: having heard and recognized the word of God, we must also come to terms with the silence of God, an important expression of the same divine Word.

The dynamic of words and silence which marks Jesus’ prayer throughout his earthly existence, especially on the cross, also touches our own prayer life in two directions.

The first is the one that concerns the acceptance of the word of God. Inward and outward silence are necessary if we are to be able to hear this word. And in our time this point is particularly difficult for us. In fact, ours is an era that does not encourage recollection; indeed, one sometimes gets the impression that people are frightened of being cut off, even for an instant, from the torrent of words and images that mark and fill the day.

It was for this reason that in the above mentioned Exhortation Verbum Domini I recalled our need to learn the value of silence: “Rediscovering the centrality of God’s word in the life of the Church also means rediscovering a sense of recollection and inner repose. The great patristic tradition teaches us that the mysteries of Christ all involve silence. Only in silence can the word of God find a home in us, as it did in Mary, woman of the word and, inseparably, woman of silence” (n. 66). This principle — that without silence one does not hear, does not listen, does not receive a word — applies especially to personal prayer as well as to our liturgies: to facilitate authentic listening, they must also be rich in moments of silence and of non-verbal reception.

St Augustine’s observation is still valid: Verbo crescente, verba deficiunt “when the word of God increases, the words of men fail” (cf. Sermo 288, 5: pl 38, 1307;Sermo 120, 2: pl 38, 677). The Gospels often present Jesus, especially at times of crucial decisions, withdrawing to lonely places, away from the crowds and even from the disciples in order to pray in silence and to live his filial relationship with God. Silence can carve out an inner space in our very depths to enable God to dwell there, so that his word will remain within us and love for him take root in our minds and hearts and inspire our life. Hence the first direction: relearning silence, openness to listening, which opens us to the other, to the word of God.

However, there is also a second important connection between silence and prayer. Indeed it is not only our silence that disposes us to listen to the word of God; in our prayers we often find we are confronted by God’s silence, we feel, as it were, let down, it seems to us that God neither listens nor responds. Yet God’s silence, as happened to Jesus, does not indicate his absence. Christians know well that the Lord is present and listens, even in the darkness of pain, rejection and loneliness.

Jesus reassures his disciples and each one of us that God is well acquainted with our needs at every moment of our life. He teaches the disciples: “In praying do not heap up empty phrases as the Gentiles do; for they think that they will be heard for their many words. Do not be like them, for your Father knows what you need before you ask him” (Mt 6:7-8): an attentive, silent and open heart is more important than many words. God knows us in our inmost depths, better than we ourselves, and loves us; and knowing this must suffice.

In the Bible Job’s experience is particularly significant in this regard. In a short time this man lost everything: relatives, possessions, friends and health. It truly seems that God’s attitude to him was one of abandonment, of total silence. Yet in his relationship with God, Job speaks to God, cries out to God; in his prayers, in spite of all, he keeps his faith intact, and in the end, discovers the value of his experience and of God’s silence. And thus he can finally conclude, addressing the Creator: “I had heard of you by the hearing of the ear, but now my eye sees you” (Job 42:5): almost all of us know God only through hearsay and the more open we are to his silence and to our own silence, the more we truly begin to know him.

This total trust that opens us to the profound encounter with God developed in silence. St Francis Xavier prayed to the Lord saying: I do not love you because you can give me paradise or condemn me to hell, but because you are my God. I love you because You are You.

As we reach the end of the reflections on Jesus’ prayer, certain teachings of the Catechism of the Catholic Church spring to mind: “The drama of prayer is fully revealed to us in the Word who became flesh and dwells among us. To seek to understand his prayer through what his witnesses proclaim to us in the Gospel is to approach the holy Lord Jesus as Moses approached the burning bush: first to contemplate him in prayer, then to hear how he teaches us to pray, in order to know how he hears our prayer” (n. 2598).